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Today in My Shakespeare Class

  • Student 1: So Oberon's looking at Helena and Demetrius, and he's like I SHIP IT.
  • Student 2: Yeah, but then he's like BOOM. CANON. Like some kind of terrifying, almighty fangirl.
  • God bless your class. I said something similar in class and then had to explain what shipping was to my prof.

shwnsebstien:

The illest Adidas campaign I’ve ever seen.

shwnsebstien:

The illest Adidas campaign I’ve ever seen.

(Source: videocave1995, via raspbeary)

130186:

Fausto Puglisi S/S 2015

130186:

Fausto Puglisi S/S 2015

(via pimpbright)

pilgrimkitty:

Buffy the Vampire Slayer + foreshadowing

YOU DONT UNDERSTAND. THE TROPE FOR WHEN YOU MAKE A JOKE AND LATER DOWN THE LINE IT BECOMES PAINFULLY UNFUNNY BECAUSE OF TRAGIC EVENTS IS LITERALLY NAMED “FUNNY ANEURYSM MOMENT” BECAUSE OF THIS SHOW.

(Source: jaclynnicolee, via pimpbright)

authentics0ul:

expositionfairy:

What a gorgeous species.  I love the starlike effect from those lighter reflective scales.

wow

authentics0ul:

expositionfairy:

What a gorgeous species.  I love the starlike effect from those lighter reflective scales.

wow

(via pimpbright)

luftangrepp:

This really is every representation debate in sci-fi and fantasy ever.

"We can’t have people of color in this story - its in the middle ages."

Imagining dragons and elves and hobbits is fine, but imagining a world not inhabited entirely by white people? That would be unrealistic.

(via pimpbright)

(Source: sm-usagi, via pimpbright)

canadianbeerandpostmodernism:

She walked screaming out of the white smoke, a black-clad goddess of death, exuding aggressive sex. Her eyes held just a tinge of threat. Her nails, phallic daggers of implied violence. Waist shrunken to a ghastly circumference, her eyebrows archly painted, her long black hair swirling behind and around her, she shocked, titillated, angered, obsessed.

She called herself Vampira.

She introduced every show with a scream, a bloodcurdling extrusion that had to issue out of some cavern too big, dark, and lonely to live inside her impossible 36-17-36 figure. She screamed and looked directly at the camera, a goth Garbo who seized the eye of the audience, refusing to become a simple object of their regard. She seduced them with the offer of a night of B-movies, horror and sci-fi fare, mostly execrable, but seasoned with her spicy sweetness and her undertone of aggression that radiated underneath heavy white pancake make-up.

Nobody could turn off the TV. It was 1954.

Maila Nurmi screamed in a postwar America of chilling optimism, everyday repressions, and awkward silences. She was the child of Finnish immigrants, a runaway in the 30’s who worked as an actor, a model for softcore men’s magazines, and a burlesque dancer. She had a taste for the macabre that led her to delve into the sediment of midcentury America until it yielded its dark treasures. A pin-up model who found herself turned into the 50’s American middle class housewife, she refashioned herself to escape the confines of cultural expectation.

Nurmi had explored the tangled underside of the country since the mid-1940s; an underground gothic land lived beneath the sun- lit world of postwar America. As a young runaway, she performed in a New York horror/burlesque show known as “Spook Scandals” that had called for her to rise out of a coffin and scream. There she had begun to craft the character of Vampira, thinking about how the sexy and the horrific could intertwine, a dance between Eros and Thanatos.

“Dig Me, Vampira” was like nothing that had yet appeared in television’s brief existence. Premiering on April 30, 1954, it became an instant hit in the Los Angeles area. Then things exploded. *****

Vampira quickly reached a larger audience through a Life magazine photo shoot. She appeared on Red Skelton’s popular show alongside Lon Chaney Jr. and Bela Lugosi. She hung out with James Dean and his entourage at Googie’s Restaurant, one of the few late night spots in 1950s Hollywood. She became part of “the night watch,” aspiring actors and directors that hovered around Dean, the strange and beautiful boy from Indiana who had yet to reach superstardom in East of Eden.

Ratings for the Vampira show shot through the roof in the year to come and Nurmi seemed on the verge of major stardom. But KABC cancelled her contract around the time of the death of James Dean. Despite her popularity, Vampira had spun a web of controversy that entangled her and the station. FCC warnings, a lawsuit by a starlet who thought her career had been ruined by the image of Vampira, and, finally, the end of Nurmi’s marriage to Reisner, a blow to the station’s public relations campaign that had attempted to portray her as a normal housewife who liked to play dress-up as a bit of “horrific whimsy.” Dean’s death, or at least the bizarre rumors that surrounded Nurmi in the aftermath of it, represented the final straw.

By the late 1950s her television career was over; she lived with her mother while receiving unemployment benefits. She appeared in the Ed Wood directed Plan 9 from Outer Space that, while later a cult hit, barely had any audience at all in the first years of its existence. True and lasting stardom never came calling again. By the 1960s, Nurmi supported herself as a tile contractor. Stories, patently untrue, circulated of roles in pornographic films. She became a figure of local legend in West Hollywood, part of a cast of peculiar characters who’d once been famous and now were not.

Vampira disappeared. But she thrived in the cultural underground. Maila Nurmi hung out with the punk/metal band the Misfits in the 80s at places like West Hollywood Vinyl Fetish. She also worked on a book she never finished, a memoir of underside of a 50s Hollywood that stayed up late nights at Googies Restaurant, popped pills, and lived off the warm glow of stardom it stalked.

She died, alone, in 2008.

Perhaps this is all that we need know of her story. Perhaps it’s more or less all that can be known. It’s true that her influence has spread far and wide. There may not be a horror convention where her visage doesn’t influence the tattooed seductress cos-players, not a horror host who doesn’t owe something to her camp humor, no mistress of the night anywhere whose ultimate origin point can’t be traced to this runaway, this late night comedian.

Vampira borrowed from many of the ghosts that haunted American culture, elements never before brought together with the kind of sexual energy and threatening cultural pose that Vampira adopted. She described her character as a monster crafted out of the elements of American history, the terrors of the great depression, and the postwar style of the Beats. She raises questions about everything we think we know about the American fifties.

Excerpted from Vampira: Dark Goddess of Horror. Copyright 2014 by W. Scott Poole. Published by Soft Skull Press. All rights reserved. Photos: Collection of the Author

(via pimpbright)

I’ve never heard a more out dated and inaccurate statement on tv. I wonder how he felt about reading this…

(Source: kristenwiiggle, via pimpbright)

"You know you’ve read a good book when you turn the last page and feel a little as if you have lost a friend."

Paul Sweeney (via feellng)

(via pimpbright)

pimpbright:

rendigo:

typette:

satteredhunter:

bucky-barnes-booty:

breelandwalker:

NORWEGIAN

FOREST

CATS

VIKING

KITTAHS

VIKING KITTAHS THAT’S PERFECT

pandarwar I found pictures of you

THAT FOX IS FUCKED

majestic

My vet thought Pepper was one but she’s just a majestic domestic

I was thinking the same thing

(Source: megtroid)

(via pimpbright)

moomindeco:

Bijouterie Fouquet
Musée Carnavalet, Paris

(Source: un-monde-de-papier, via peter-pans-booty-shorts)

*19
ripporcelain666:

Straighty One Eighty// @ameliaarsenic // wearing @heartlessrevival //photo by @shrinkle #imatssydney

ripporcelain666:

Straighty One Eighty// @ameliaarsenic // wearing @heartlessrevival //photo by @shrinkle #imatssydney

(via gwesu)

*59

bakasoseji:

☆*・゜゚GIVEAWAY sponsored by HIMI STORE゜゚・*☆
Prize: 50
$ credit on Himi Store or Cutiemori Store. Worldwide shipping!
Giveaway ends on Oct 5th.

How to enter / Rules
You must follow me on tumblr, bakasoseji.tumblr.
You must follow Himi Store on tumblr, himifashion.tumblr.
- Reblog this giveaway (likes doesn’t count) AND choose one item from Himi Store or Cutiemori Store that you like and then make a post on your tumblr with a picture of the item and with a link to the store.
- NO GIVEAWAY BLOGS.

If you win \(^▽^)/ Then I will contact you through tumblr
There will be 1 winner.
- The winner must respond within 24hours.
- ( Make sure your askbox is open so I can contact you )
- The winner must be 15+ or have parent’s permission.
The winner will be chosen randomly by random.org.

Feel free to ask if you have any question!
GOOD LUCK!

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